広重と隅田川
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田中辰斎画：広重と隅田川(S)（月刊浅草表紙絵）
IIIustration by Tanaka Shinsai : Hiroshige and Sumidagawa
(Cover art for *Monthly Asakusa*)
Sサイズ：167×117×32mm
In 1858—the year following the Great Fire of Meireki, which had devastated Edo and claimed 100,000 lives—the Shogunate launched fire-prevention measures and organized the "Edo Firefighting Corps."
The corps was led by a *Hatamoto* (high-ranking retainer) serving as the fire-prevention officer, supported by six *Yoriki* (mounted officers).
Beneath them, a force of thirty *Doshin* (constables) was established and provided with funding for their duties.
Ando Hiroshige was born at the *Doshin* fire-prevention quarters in Nihonbashi; after his father retired, he succeeded to the post of *Doshin* and dedicated himself to fire prevention.
However, unable to abandon the passion for *ukiyo-e* (woodblock prints) he had harbored since youth, he eventually passed the *Doshin* position on to his child to devote himself fully to art, becoming a master of landscape prints.
He also created captivating depictions of himself in his firefighting attire from his days as a *Doshin*.
江戸市中を焼き尽くし10万人の死者を出した明歴大火の翌年1858（万治一）幕府は防火対策に乗り出し、『江戸火消組』を組織した。
旗本火消役を中心に与力六騎。
その下に30人の「火消同心」を形成し費用を給付した。
安藤広重は日本橋の火消同心屋敷に生まれ、父の隠退後「火消同心」の職を引継ぎ防火に努めた。
しかし、若い時からの夢であった浮世絵に対する情熱は捨てがたく、「火消同心」の職は子にゆずり浮き世絵に邁進し凡景画の大家となる。
同心時代の火消し姿も魅力があり描いたものである。
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